The AD Said we Have to Reshoot This

(Title card fades in. Cut to over the shoulder shot of a

clown pissing in a bucket while his wife paints the walls with the lives of better men)



Last night my mind racing was like in a film

Don't buy into It. Yes It. No, not

IT, but It.

That Pulp Fiction Limitless belief in

Sixth Sense that you are a Law Abiding Citizen.



(Cut to sun rise over a west coast ocean with couple fighting in foreground)



There it is

again. The Star Wars that shape

the clockwork of

our lives.

The idle torment of linear narratives shot in proscenium

(Cut to business men in Vera Wang suits having expensive

French dinners with congressmen wishing they were 20 again)

That sticky slimy Clockwork Orange that stains

the walls. Mother! Visits the Day After Tomorrow and wants

me to be My Sister's Keeper so I keep The Notebook by my desk filled with drawings of a Memento.

(Close up of broken polaroid camera lens with the reflection of a sunset over the east coast ocean)



Her touch burns like Sixteen Candles and she tells

me a little Toy Story

Cinema was my only escape as a child



(Pan over a crowd of people all filled with regretful happiness lit in low key lighting)



acted out with The Usual Suspects and it felt Interstellar, Psycho, Alien, like

a little white house. Casablanca. But The Departed

always go Back to the Future in the end. I got Vertigo from her little Braveheart.



(low angle shot of a car crash happening in reverse with the bodies moving fast forward)



Amelie. That was the name of

my Taxi Driver and for some reason she

wore a Full Metal Jacket that glittered in the light.

The Shining was brilliant.



(Credits roll as the lights on the set all slowly burn out one by one revealing

the blue rust patina of the floor covered in glass)



I miss the summer blockbuster

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